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” Monster / Kaibutsu (怪物) 2023 “
A single mother demands answers from a school teacher when her son begins acting strangely. A fight at school causes even more trouble.
When her young son Minato starts to behave strangely, his mother feels that there is something wrong. Discovering that a teacher is responsible, she storms into the school demanding to know what’s going on. But as the story unfolds through the eyes of mother, teacher, and child, the truth gradually emerges.
TAGLINE: Are they the ones we dream of, or the ones we fail to see among us?
Monster (Japanese: 怪物, romanized: Kaibutsu, lit. ’monster‘) is a 2023 Japanese drama film directed and edited by Hirokazu Kore-eda from a screenplay written by Yuji Sakamoto.[4] It stars Sakura Andō as a mother who confronts a teacher after noticing disturbing changes in her son’s behavior.[5] The film marks the first time Kore-eda has directed a film he did not write himself since Maborosi (1995). The film was the last scoring project by Ryuichi Sakamoto, who died two months before its release; the film is dedicated to his memory.
Monster had its world premiere at the 76th Cannes Film Festival on 17 May 2023, where it competed for the Palme d’Or and was honored with the Queer Palm as well as the Best Screenplay award.
I’m a fan of Kore-eda’s feature films, namely the more Stream-of-consciousness movies from the earlier part of his career – MABOROSI, THE AFTERLIFE, & DISTANCE are among my favorites of his work from the mid-1990s to the early 2000s. In his subsequent films that seem to focus even more on social commentary via a neo-realist approach to story telling, Kore-eda managed to show just how good he is in directing children with little to no experience in acting to shine in NOBODY KNOWS and THE MIRACLE. In between, he experimented with comedy (HANA), a twist of fantasy collaborating with non-Japanese actors and cinematographer in AIR DOLL, and then back to more social-commentary and plot driven – some were Melodrama-esque, kitchen-sink films, and others he dabbled in crime whodunnit stories… all of which except for MABOROSI he took charge with writing the screenplays highlighting the fact these were personal stories and messages he wanted to share through the art of Kore-eda cinema.
While the 2 most recent Kore-eda films were overseas collaborations, they seem to show Kore-eda does his best work in Japan, and MONSTER (KAIBUTSU) shows how Kore-eda can shine even when the story isn’t penned by himself.
