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The film is a sequel to A Good Man, and is the sixth collaboration between Steven Seagal and director Keoni Waxman. The film also marks the third collaboration between Seagal and Jones (who starred in 2005’s Submerged and 2014’s Gutshot Straight), and between Seagal and Mann (who previously starred in 2003’s Belly of the Beast and 2009’s A Dangerous Man).
John Alexander (Steven Seagal) is a contract killer. After encountering a girl on the run from a mob boss (Vinnie Jones) with powerful political connections, he is torn between protecting the girl and remaining loyal to the government agency that hired him for a mission.
The bad stuff is mostly complaints one could draw from any number of Seagal films. The plot really doesn’t make much sense and serves as the glue that holds together several action set-pieces. I also thought the dialogue was particularly bad this time around, and most of the actors delivering it didn’t do a great job. The standouts were Steven Seagal and Vinnie Jones, who plays the big bad boss. Speaking of Vinnie Jones, he has quite a charismatic screen presence and despite his limitations, he does well given the right material. Having a little more of him (he’s only in a few scenes) would have made the film considerably more enjoyable. Lastly, as expected there isn’t much character development to speak of, but what little there was felt like padding. There was a scene where Byron Mann and Steven Seagal reminisce about the past and how they came to be friends, which was nice, but all they end up using from that scene is a single piece of dialogue towards the end. It had no bearing whatsoever on the plot. There was also several flashbacks to Seagal and what appeared to be his wife. Again, divorced of context this had absolutely no bearing on the story and just served to extend the running time. Overall, I’d place this quite low in the pantheon of Seagal films. It isn’t so bad as to be unwatchable, like ATTACK FORCE, but it doesn’t quite have the charm of something like INTO THE SUN. Still, even though occupying a middle ground as far as Seagal’s DTV output, fans will probably watch this no matter what.